Ji-woo is all dressed up and ready to attend Jjang-ah’s birthday party. While waiting for her personal care assistant Mi-sook, she’s notified that Mi-sook can’t make it due to another urgent matter. Unfortunately, Ji-woo, who rides a wheelchair, can’t make it to the party without assistance. In the midst of this dilemma, she happens to run into her friend Ah-ja, who is playing at a claw machine. Ji-woo persuades a seemingly unoccupied Ah-ja to fill in as her personal care assistant for the day. Will the two of them be able to arrive at Jjang-ah’s house.

Na Kyung-soo, a diver, is angered to learn that the Coast Guard is assigning responsibility for the death of a fellow diver during the Sewol ferry disaster recovery to Ryu Chang-dae, the representative of civilian divers, and charging him with manslaughter.

이웃 간 배려가 없어졌다고 투덜대던 윗집 여자는 달려오는 아랫집 남자를 외면하고 엘리베이터를 타고 혼자 올라간다. 어느 날, 여자가 탄 엘리베이터에 강아지가 끼는 사고가 발생한다.

La figlia di Su-yeon, Mi-hyang, soffre di diabete giovanile. Su-yeon defeziona in Corea del Sud per curare Mi-hyang.

A girl who is about to apply for college admission hopes to go to a university far from home despite her good grades.

This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. 　　In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. 　　Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.

<M> Making Documentary